一強(qiáng)調(diào)家具與人的個(gè)性的吻合。

Emphasize the alignment between furniture and human personality.

機(jī)器大生產(chǎn)制造出的家具是“千物一面”，手工打造的家具則能滿足客戶“一物千面”的要求，能更好地張揚(yáng)個(gè)性、彰顯品味，更能代表現(xiàn)代人的精神取向和審美情趣。

Furniture produced by large-scale machine production is "one piece for a thousand things", while handmade furniture can meet the requirements of customers for "one thing, one face for a thousand", better showcase personality and taste, and better represent the spiritual orientation and aesthetic taste of modern people.

二更加關(guān)注結(jié)構(gòu)比例的科學(xué)性。

Pay more attention to the scientificity of structural proportions.

成熟的鐵藝家具在造型上還要兼顧力的動(dòng)態(tài)平衡美、力的傳遞關(guān)系美及結(jié)構(gòu)邏輯美。也就是說鐵藝制作既要體現(xiàn)設(shè)計(jì)者和使用者主觀情感的美學(xué)意義，又要以人體工程學(xué)為依據(jù)，這是機(jī)器大生產(chǎn)所不能做到的，也是現(xiàn)代的鐵藝手工技藝與舊有的手工技藝有所區(qū)別的地方。

Mature iron furniture also needs to consider the dynamic balance beauty of strength, the transmission relationship beauty of strength, and the logical beauty of structure in its design. That is to say, ironwork production should not only reflect the aesthetic significance of the subjective emotions of designers and users, but also be based on ergonomics. This is something that machine mass production cannot achieve, and it is also the difference between modern ironwork handicrafts and old handicrafts.

三鐵藝家具在關(guān)注實(shí)用功能的同時(shí)，更加重視家具所營造出的室內(nèi)環(huán)境的精神功能和文化內(nèi)涵。

San Tie Yi furniture not only focuses on practical functions, but also pays more attention to the spiritual function and cultural connotation of the indoor environment created by the furniture.

事實(shí)說明，越是現(xiàn)代社會(huì)，高科技越高速發(fā)展，人們?cè)绞切枰叨鹊木裎幕瘉砥胶狻Ｃ绹磥韺W(xué)家納斯比特預(yù)測二十一世紀(jì)將是有如文藝復(fù)興時(shí)期那樣的“文化世紀(jì)”，人們對(duì)家具本身蘊(yùn)含的文化內(nèi)涵的要求越來越高，鐵藝家具是東西方文明精華的集大成者：它具有歐陸文明華美、理性又不失浪漫的特色，又兼有東方文化中厚重、神秘的傳統(tǒng)。挖掘、發(fā)揚(yáng)東西方文化中的精華部分，將使鐵藝倍受青睞。

The fact is that in modern society, the faster the development of high technology, the more people need a high level of spiritual and cultural balance. Nasbit, an American futurist, predicts that the 21st century will be a "cultural century" like the Renaissance, and people are increasingly demanding of the cultural connotation of furniture itself. Iron furniture is the epitome of the essence of Eastern and Western civilizations: it has the characteristics of European civilization, beauty, rationality and romance, as well as the profound and mysterious traditions of Eastern culture. Mining and developing the essence of eastern and western cultures will make iron art more popular.

四關(guān)注動(dòng)態(tài)發(fā)展、更新時(shí)尚是鐵藝家具的又一趨勢。

Focusing on dynamic development and updating fashion is another trend in ironwork furniture.

鐵藝的經(jīng)典性在于它耐得住時(shí)間的考驗(yàn)，但不同的用戶有不同的喜好，有人喜歡洛可可風(fēng)格，有人偏愛巴洛克特色，有人喜歡簡約有人偏好繁復(fù)，這就要求鐵藝設(shè)計(jì)者和制造者們要具體分析不同的動(dòng)態(tài)要求。再者隨著社會(huì)的發(fā)展和時(shí)代的變遷，人們的價(jià)值觀、審美觀都會(huì)出現(xiàn)多多少少的改變，這里面就有一個(gè)鐵藝設(shè)計(jì)制作的更新問題，這顯然是機(jī)器大生產(chǎn)難以適應(yīng)的。

The classicism of ironwork lies in its ability to withstand the test of time, but different users have different preferences. Some prefer the Rococo style, some prefer Baroque style, some prefer simplicity, and some prefer complexity. This requires ironwork designers and manufacturers to analyze different dynamic requirements in detail. Furthermore, with the development of society and the changes of the times, people's values and aesthetic views will change to some extent. Among them, there is a problem of updating iron art design and production, which is obviously difficult for machine mass production to adapt to.

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